Hair-raisingly good Halloween English Reader activities

Halloween reading activities

Halloween is just around the corner, and it is a wickedly wonderful way to encourage your older teen and adult students to broaden their vocabulary, consolidate their grammar and practice their reading skills by using classic horror or thriller English Readers in class. Pearson has a collection of more than 300 Pearson English Readers which are easy to use and contain lots of extra materials.

Some spook-tacular Halloween selections from the classic English Readers are:

  • The Phantom of the Opera
  • Dracula
  • The Hound of the Baskervilles
  • Dr Faustus
  • Hamlet
  • The Locked Room and other horror stories
  • Misery
  • Tales of Mystery and Imagination
  • The Canterville Ghost and other stories

If you want to use a Reader with your students in class, for Halloween or for any time of the year, here are some ideas to compliment the book.

Word Lists

Every Pearson Reader has a word list at the back of the book that gives a brief definition of the essential vocabulary used. Use these lists to design a ‘treasure hunt’ style game. For example:

Find:

  1. Three animals
  2. Two jobs
  3. Two places for dead people

After students have read the story, you can also play a quiz game where you read out a definition of a word and students buzz in and tell you the answer. Alternatively, another fun revision game is that you say a word and students must come up with a grammatically correct sentence using that word to win. It’s a fun way to practice new vocabulary.

Character Conversations

Once you have started to read the book with your students and the characters have been introduced, you can ask students to imagine that they are some of the characters in the book and to have a conversation with each other. For example, in the story Dracula, the Doctor comes to visit Lucy as she is under the spell of Dracula and is acting strange. A dialogue may look like this:

Student A: You are Dr Seward. Ask questions about how Lucy is feeling.

Student B: You are Lucy’s father, Arthur. Explain how Lucy is feeling.

Conversations can also take place between characters in the form of Instant Messaging, or mobile phone text messages. Students can collaborate on a shared document, such as Google docs, and read and respond in real time to their classmates’ messages. You can also do this via traditional pen and paper messages.

Another conversation practice can be character interviews. Student A is a very famous TV talk show host and invites one of the characters from the book on to their show for an interview. Student B is one of the characters. Students can prepare the questions together before acting out the dialogue.

Radio Plays

Ask your students to recreate the entire story, a chapter or part of the story in the form of a radio play. They not only have to be the characters but they also have to be foley artists. If you have permission from the students and/or parents, you can record them performing! Give students plenty of time to prepare their dialogues, scripts and find the props they need to make the sounds. If students are watching each other, provide some listening activity for the audience to do, such as:

Watch your classmates perform their radio play.

  • What did you like the best?
  • What sound effect was the most realistic?
  • Was their dialogue accurate from the book?
  • What was your favourite line?

Creative Writing

Try to find opportunities in the story to encourage different writing styles. For example, in Dracula, we could set these tasks:

  1. You are Dracula trying to sell your castle. Write a description of it.
  2. You work for the police. You want to tell people about the dangers of vampires. Write a report answering these questions: How will I know if a person is a vampire? What should I do if I see one?
  3. You are Jonathon and you have just spent the first night in Dracula’s castle. You send a text message to your fiancée Mina. Arrived safely. Dracula v. strange. J xx. Reply as Mina and then continue the conversation between them both.
  4. The book publisher wants you to write a 100-word description for the back of the book that will encourage people in the 21st Century to read it – careful, do not reveal the ending of the story!

Personalisation

Many of these Readers are suitable for Halloween because they play on our fears. Some are supernatural, such as vampires or werewolves, but others are more real, such as locked rooms or insects. Personalising questions either before students read the text or after is a great way to either build anticipation or check understanding of the story, and it helps students to use quite specific vocabulary. For example, in the short story The Ash Tree, we can ask our students before they read:

Which of these situations would frighten you most?

A You are walking alone in an open field at night. You see a black shape with two very bright eyes.

B You are driving along a road on a stormy night. Tall trees on each side of the road are moving wildly.

Or in The Barrel of Amontillado before students read:

This story involves a slow death and a barrel of expensive wine. Discuss how the person might die.

and in The Locked Room after the students have read it, we can discuss and speculate what we might do in the same situation:

Imagine you have just been into the locked room for the first time. You saw the clothes move and you heard the steps behind the door. What will you do now? Talk to another student.

Debates

Debate

Debates are great because not only do students practice speaking but they also have to give logical reasons as to why they are defending a particular idea, which is a very useful skill to have. We can choose to have a two-sided debate, such as after reading The Phantom of the Opera, the debate could be:

The mayor of Paris and the Captain of Police wants to tear down the Opera House after the recent scandals, but the locals want to protect the historical and beautiful building.

The class then splits 50/50 and they prepare their ideas and arguments before debating. Alternatively, the debate can be character based with multiple opinions. For example, after reading Faust, the debate could be:

In groups of five, imagine and act out this scene. The characters are:

  • The Pope
  • The army officer
  • The King of Germany
  • The Duke of Vanholt
  • Robin

A world organization thinks that Faustus should receive its top international prize for his services to science. Do you agree? Make short speeches and then have a discussion.

Halloween is the perfect time in the academic year to introduce readers to your class if you have not done so already. The Pearson Readers form part of the ‘Connected English Learning Program’ as it is part of the vast resources available to help your students to learn English through topics they love.

A crash course on mediation

The buzz word around the Escuelas Oficiales de Idiomas (EOIs) in Spain this year is mediation and the importance of teachers at these centres getting to grips with the concept cannot be stressed enough.  In a series of three blog posts we will be taking a look at some of the key issues surrounding this topic.

For our first article we reached out to Manuel del Rio and Francisco J. Pose, two of the teachers who provide teacher training at the EOI in Santiago de Compostela.  Among the courses the EOI will be offering as part of their summer training programme for teachers is one led by Manuel and Francisco on linguistic mediation.  We had a few questions on mediation and we figured getting in touch with them would be a good place to start to get some clear answers.   Here’s what they had to tell us:

Question: Let’s start with the elephant in the room: What is the big deal with mediation?  Is it really all that important in our daily lives?

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Five techy tricks to practice your English over the summer

Picking up a book, writing a pen-friend or doing a language exchange in English are all tried and tested ways to keep improving and practicing your English over the summer months.  In fact I would suggest them all to my students and many of the activities below are based on them in one way or another. But with the devices and tech tools available to our learners I thought I would put a bit of a spin on the typical summer learning ideas.

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Ten expressions (with talk) to get your students talking

speach bubbles

Stuck for something to talk about in class?  Well here are ten useful expressions in English to stretch your students’ vocabulary plus a quick activity to get them chatting as well.

Teach the expressions anyway you see fit.  You might start out by putting the word “talk” on the board and ask students to think of different ways of talking, or as many expressions with “talk” as they know.  You can then include the expressions you want them to learn and have them guess at the meaning and use a dictionary to check, or have them match expressions to their meanings.

Here are my ten (but you can use others if you like):

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Five things to love about teaching English

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No two people have quite the same experience of teaching English.  My own history includes mostly private sector teaching to adults and teens (so this post might not reflect your situation exactly).  But regardless of the context you teach in, many of us, and this is undoubtedly true of any profession, might get to a time when we question why it is that we are doing it, or maybe we forget why we got into it in the first place.

For native speakers there is the added “I’m JUST an English teacher” issue to face as well, as in: I’m JUST teaching something that I didn’t have to put any real effort into learning myself, or Am I JUST taking the easiest option?  Shouldn’t I be more of a go-getter in world of increasing “go-getting.”  I would bet that this thought has crossed the minds of a fair number of you out there.  Perhaps if you are a NNS (non-native speaker) of English you haven’t had this same feeling, and the things listed below are somewhat more obvious to you.  If so, scream and shout about them!  Kick up a fuss about your profession!  And get your colleagues stoked about their job!  Because there are a great many things to love about being “just” an English teacher.

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ACEIA 2016, Seville: a resounding success!

Over 700 enthusiastic teachers from all over Europe attended the ACEIA 2016 conference in Seville on Saturday 12 November.

Antonia plenary

Under the banner ‘Creative Minds Inspire,’ the event was headlined by Pearson’s Antonia Clare, one of the award-winning authors of Speakout 2nd edition, with her inspirational plenary session ‘Language, Learning and the Creative Mind.’ Antonia examined the ways in which learning a language is in itself such an inherently creative task and looked at how to engender creativity, both on the part of the learner but also on the part of the teacher.

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Using connectors in English to improve your writing skills

Using connectors in English to improve your writing skills - Illustration by Lucy Vigrass (2)When you’re writing in English, especially when you’re writing for exams, it’s not enough to choose the correct words and put them in the right order. You also have to link sentences together to show how your ideas are organised and to guide the reader through your text. For this, you need a good command of connectors, or linkers, those little words and phrases like but, however, in spite of, because of and in order to. In this article we look at using connectors in English to improve your writing skills.

The most common connectors, and the ones used most frequently in speech, are and, but, or, because, so and then, and with them you can express most ideas quite well. However, in order to demonstrate a more sophisticated knowledge of the language and to express more nuanced ideas, especially in formal writing, there are many other connectors that you need in your repertoire. Let’s have a look at some of them. Continue reading

35 common English proverbs

English languageIf vocabulary and grammar are the meat and bones of a language, then proverbs are its blood. Not only are these short, pithy, well-known expressions great for giving warnings and advice or for expressing simple truths about life, they also tell you a lot about the cultural context of the language. Each and every language has hundreds of such sayings, but as English is the language at hand, here are 35 common English proverbs for you to enjoy, learn – and hopefully use. Next time you get the chance to throw one into conversation, make sure you strike while the iron is hot!  Continue reading

10 English words that are difficult to pronounce

When you learn a foreign language, there are always certain sounds that are a challenge to get right and certain words that you must struggle to get your tongue around. With English, the erratic spelling system means that even if you have no trouble with the sounds themselves, you may often mispronounce words anyway.

To help you out with some of the trickier and more readily-confused ones, here are 10 English words that are difficult to pronounce for learners and some tips for getting them right. Continue reading

Why is English spelling so weird?

English spellingWhy does cough rhyme with toff but plough rhyme with now? Why does debt have a silent b? If ewe can be you, how comes eye can be I? Who on earth put the k into knight? Why is read read as red when it’s said in the past, but reads like its reed in the present? Indeed, why is English spelling so weird? In today’s post we look at the history of English spelling to find out some of the reasons that underlie its many orthographic idiosyncrasies.

Why is English spelling so weird?

Too few letters for too many sounds

Modern English has a phoneme inventory of 44 sounds (with some variation according to dialect) but only 26 letters with which to write them. Since its very earliest days, this mismatch has been a key obstacle to spelling the language in a regular manner. The monks who were among the first to write down Old English tried to solve the problem by adding new letters to represent sounds absent in Latin, such as a ligature of a and e, namely æ (ash), and several runic characters – þ (thorn), ð (eth), and ȝ (yogh). Æ can still occasionally be found (for example, in the official name of the Encyclopædia Britannica), but the runic symbols were eventually replaced by digraphs – combinations of two letters to represent one sound – th for þ and ð and gh for ȝ. Diacritics – those little marks above and beneath letters that you find in so many other languages (á, è, ü, ç, ñ and so on) – being absent in Latin, were never used by the early writers of English and so never really became a part of the orthography, except to write certain foreign loanwords. Continue reading